Description
Fujifilm Instax Wide 300 camera modified to take any lens from the Mamiya Press, Super 23 & Universal Press cameras. Unlike similarly modified cameras, you can change lenses easily. No lens modification is necessary. Perfect as a studio tool for dialing in your settings, and taking test shots before a photoshoot, but great for general use as well. With 2x cold shoe mounts for accessories. Measure distance easily with the included laser rangefinder. This top-of-the-line version adds an integrated cable-release, on/off switch with LED “on” indicator, as well as ONE-PRESS AUTOMATIC EJECTION.
This body is simply for processing the Instax Wide exposure. All controls are on the lenses: Focus, Shutter Speed, Aperture, Flash sync port, Shutter release.
INCLUDED IN LISTING:
– Instax Wide 300 modified body with Mamiya Press lens mount + locking screw, top mounted cold shoe, and side mounted cold shoe.
– One-press ejection, no more manually pressing the button to eject your frame.
– On/off switch, with LED indicator, no more accidental ejection.
– Cable release integrated into the body.
– Compact laser rangefinder, with charging cable, instructions, and cold shoe mount.
– Original white Fujifilm camera strap.
– Guide and operation instructions.
– Easy Focusing Card, to help you focus quickly without a rangefinder or guesswork in case laser rangefinder is drained.
– Test shots from your specific camera.
Lens, batteries, flash, and flash cable NOT included. 5th photo is for illustrative purposes of what a complete camera setup may look like.
FLANGE FOCAL DISTANCE:
FFD for infinity has been confirmed via ground glass and test shots. Distances for 3.5ft, 5ft, and 10ft have been confirmed via ground glass as well as with measuring tape and test shots.
LENS COMPATIBILITY:
Any Press lens will mount, but each lens will have varying coverage and vignetting. The 75mm f/5.6 is the onIy Mamiya Press lens that provides full coverage on the Instax Wide 300. The rear lens element of the 127mm f/4.7 sits too far from the film plane and gets clipped by the inside of the camera body, same for the 150mm and 250mm. For those who don’t mind slight vignetting, I personally recommend the 90mm f/3.5 as it is generally the least expensive for its compact size and the chrome nicely complements the silver trim of the Wide 300 body. I also recommend the 100mm f/3.5 chrome or black version depending on your tastes. NOT COMPATIBLE WITH POLAROID 600SE lenses.
Returns are acceptable only for functionally Dead On Arrival items and you must contact me within 5 days of receiving.
All items are made to order: Current Lead Times
